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30 November 2012, 08:59 AM | #61 |
"TRF" Member
Join Date: Feb 2010
Real Name: Joe
Location: PA
Posts: 14,774
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Not for me. Why mess up a good thing???
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30 November 2012, 07:42 PM | #62 |
"TRF" Member
Join Date: Nov 2012
Location: Slovenia, EU
Watch: BLNR
Posts: 1,507
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It's really hard to ruin a Rolex, so if someone would give it to me, I'd wear it. :P
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30 November 2012, 08:17 PM | #63 |
2024 Pledge Member
Join Date: Jan 2009
Real Name: Chuck
Location: SW Florida
Watch: 16233,16610,214270
Posts: 11,196
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To each his own I guess..
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16233 Y Serial Datejust 16610 Z Serial Submariner 214270 Explorer 114300 Oyster Perpetual 76200 Tudor Date+Day |
30 November 2012, 08:26 PM | #64 | |
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Join Date: Sep 2008
Location: london
Posts: 120
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Quote:
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1 December 2012, 12:50 AM | #65 |
"TRF" Member
Join Date: Dec 2011
Real Name: Brendan
Location: NJ
Watch: Pepsi/LVC/DJII
Posts: 446
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To be clear, i commented "awful" i meant my opinion of the watch. I could care less about the lifestyle the artist lives. his business, not mine
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1 December 2012, 01:01 AM | #66 |
"TRF" Member
Join Date: Aug 2009
Real Name: Q
Location: The Q Continuum
Watch: ST:TNG
Posts: 8,466
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While I made my comment concerning the Simpsons in jest, it is entirely possible that the artist's use of color in that composition was intentionally invoking colors used for popular cartoon icons of today. That's the nature of pop art.
On a side note, I would imagine that watch interpretations/designs made by famous pop artists could easily exceed the normal valuation of the watch if that artist held his/her status over time. If Warhol or Haring had made LE Rolexes imagine what value they would hold today. Some people here might not care for them, but the watches would far exceed normal resale values for their respective models. |
1 December 2012, 01:09 AM | #67 |
"TRF" Member
Join Date: Aug 2009
Real Name: Q
Location: The Q Continuum
Watch: ST:TNG
Posts: 8,466
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I don't care much for Jackson Pollack's work aesthetically, and I've even had a well established NYC art dealer throw a glass of champaigne in my face for saying so, but I can appreciate why his work is historic and valuable, especially to the NYC art scene...
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